Detective Inspector Skelgill Boxset 3 Read online

  Bruce Beckham

  __________

  Murder in the Woods

  Murder at the Flood

  Murder at Dead Crags

  LUCiUS

  Contents – Books 8-10

  Murder in the Woods

  Glossary

  1. Harterhow

  2. June Collins

  3. Skelgill's office

  4. Harterhow

  5. Coot & Fox

  6. Press conference I

  7. Marvin Morgan

  8. Dog walkers

  9. Forensic findings

  10. Crimetime

  11. Always fishing

  12. Keswick coffee shop

  13. Liverpool

  14. Night owl

  15. How Cottage

  16. Press conference II

  17. 'Rose'

  18. Forrester

  19. Threlkeld

  20. Evidence mounts

  21. Harterhow

  22. Police HQ

  Murder at the Flood

  Glossary

  Prologue

  1. Geronimo

  2. The Lonely Cloud

  3. Walkmill

  4. Town centre

  5. Washed up

  6. Incidents

  7. Post mortem

  8. Maeve Alcock

  9. Derwent View Hotel

  10. Police HQ

  11. Cockermouth

  12. Exchange

  13. Solway coast

  14. Serena

  15. Watching

  16. Police HQ

  17. The café

  18. Walkmill

  19. Maryport

  20. Hermione

  21. Fast forward

  22. Two days later

  Murder at Dead Crags

  Glossary

  Prologue

  1. Dead Crags

  2. Under Cover

  3. Dead Crags Zoo

  4. The professor

  5. Dashbeckdale

  6. Sabbing

  7. Rendezvous

  8. Brake failure

  9. Elephant in the room

  10. Shooting stars

  11. The Partridge

  12. Dashbeck Cottages

  13. Stately homes

  14. Police HQ

  15. Public meeting

  16. Dashthwaite Common

  17. Keswick

  18. Dead Crags Zoo

  19. Trouble brewing

  20. The Dash

  21. Audience

  Bruce Beckham

  __________

  Murder in the Woods

  A detective novel

  LUCiUS

  Text copyright 2017 Bruce Beckham

  All rights reserved. Bruce Beckham asserts his right always to be identified as the author of this work. No part may be copied or transmitted without written permission from the publisher.

  This is a work of fiction. Names, characters, places and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events and locales is entirely coincidental.

  Kindle edition first published by Lucius 2017

  Paperback edition first published by Lucius 2017

  For more details and Rights enquiries contact:

  [email protected]

  Cover design by Moira Kay Nicol

  EDITOR’S NOTE

  Murder in the Woods is a stand-alone crime mystery, the eighth in the series ‘Detective Inspector Skelgill Investigates’. It is set largely in the English Lake District, a National Park of 885 square miles that lies in the rugged northern county of Cumbria, and in particular to the west of Derwentwater, around an imagined wooded knoll not unlike Swinside, in the vicinity of Catbells.

  BY THE SAME AUTHOR

  Murder in Adland

  Murder in School

  Murder on the Edge

  Murder on the Lake

  Murder by Magic

  Murder in the Mind

  Murder at the Wake

  Murder in the Woods

  Murder at the Flood

  Murder at Dead Crags

  Murder Mystery Weekend

  Murder on the Run

  Murder at Shake Holes

  Murder at the Meet

  Murder on the Moor

  Murder Unseen

  (Above: Detective Inspector Skelgill Investigates)

  Murder, Mystery Collection

  The Dune

  The Sexopaths

  Glossary

  Cumbrian dialect

  Some of the local words used in ‘Murder in the Woods’ are as follows:

  Backend – autumn

  Bletherin’ – talking nonsense

  Brocken – broken

  Brossen – full up (eaten too much)

  Chessin – chasing

  Clap – stroke a pet (mainly Scots)

  Deek – look, peek

  Divvent – don’t

  Flaiten, flaite – frightened

  Foily – smelly

  Girt – great

  How – rounded hill

  Ken – know (also Scots)

  Marra – mate (friend)

  Ower – over

  Reet – right

  Yat – gate

  Yon – that

  Yowes – ewes

  1. HARTERHOW

  Monday

  ‘Guv – was that a scream?’

  Skelgill, not a man known for sunbathing, lies unmoving; he might almost be asleep. However, the stalk of grass that he grips between compressed lips twitches like a fisherman’s float, indicative of some sub-surface activity. DS Jones rolls over and achieves a sitting position with considerable ease, wrapping her arms round her knees. Now she surveys the scene; they face south, and in descending order is the sun in its dome of azure sky, a bleached mountainous horizon (Skelgill would tell her the names of the tops, such as High Raise, Pike O’Stickle and Glaramara) blending into green foothills and dales, the shimmering plane that is Derwentwater, and finally a verdant canopy of oak that froths up from the lake. In fact there are two more features, between them and the woodland fringe a steep downslope to which cling patches of fresh green bracken and mauve ranks of straining foxglove and, closest of all, Cleopatra, Skelgill’s Staffie-Boxer cross, who sits snapping at flies. Suddenly, and simultaneously, the dog and the detective sergeant turn their heads a few degrees; they concur on the bearing.

  ‘There it is again.’ Skelgill still does not respond, but the grass stem stops moving. A note of anxiety occupies DS Jones’s voice. ‘Guv – wake up! It sounds like someone’s in trouble!’

  ‘I’m not asleep.’

  If he were he is now alert and on his feet. Indeed he pitches forward and sets off downhill at a canter, spitting the straw. Without looking back he barks his orders.

  ‘Put in a call – might be quicker across the lake. Watch the dog.’

  DS Jones shades her eyes with a salute. Skelgill’s loping stride seems precarious, like a skier who leans into a steep piste and might overbalance. Brown butterflies rise and flutter in his wake amidst puffs of pale yellow pollen. She kneels and slips her mobile from the hip pocket of her jeans. It takes her twenty seconds to make the call. Now she considers Cleopatra.

  ‘Sit. Good girl. Stay.’

  The dog is vaguely bemused, but does as bidden. DS Jones casts it a stern look and sprints after her superior. In her natural athleticism she exhibits more grace than Skelgill but he is in his natural element. Sure-footed he plunges into the woodland, and his beeline does not deviate; he hurdles decaying trunks and ducks leafy hazel switches and sprays of sweet-and-sickly scented honeysuckle. His progress is unaffected by the lattice
of fallen branches and twigs that booby-traps the forest floor. The yell is repetitive, in frequency and timbre; it could be a homing beacon.

  DS Jones is forced to skirt around Skelgill’s course; in the heavy air beneath the canopy the cry is resonant, and she reaches its point of origin only in time to see him slap a dark-haired woman across the cheek. It is a successful manoeuvre and the penetrating squeal ceases. He hears the crackling approach of his colleague and makes a face that means she should take over. DS Jones grasps the woman by the shoulders and turns her 180 degrees, intending to shepherd her away, but she pauses for a moment to watch Skelgill.

  Close by a black-and-tan Lakeland Terrier is worrying some object that it has partially uncovered. Leaf litter sprays about. There is the moist mouldy smell of mulch. Skelgill experiments with a pishing sound; then clicks of the tongue; then a whistle – but the dog is preoccupied with its excavation. He steps over and left-handed hauls it off its feet by the scruff. There is the unmistakeable musky waft of a stinkhorn that evokes rotten carrion and lures blowflies to the sticky spore-rich gleba – except gleaming from the black earth are two rows of bright human teeth.

  *

  ‘Dang!’

  ‘What is it, Guv?’

  Skelgill does not reply, but flaps a hand in the direction of his dozing dog. DS Jones looks puzzled, but then she understands as Skelgill stoops to pick up a crackling cellophane wrapper from the tartan rug. For an hour Cleopatra has diligently guarded their hastily abandoned picnic site, but at some point, overcome by instinct, she ate the uncooked Cumberland sausages. DS Jones is unable to suppress a giggle. And Skelgill is forced to simper resignedly; it is not a trial of temptation he could have survived, either. Out of sight beneath them on the lower slope of Harterhow the woodland ‘grave’ is now taped off, a sentry posted in the shape of young PC Dodd, the scene of crime team being hastily assembled and soon to be despatched. The woman who raised the alarm has been coaxed away for a medical check-up; DS Jones has the lady’s dog on a length of blue baler twine produced by Skelgill.

  ‘What about this one, Guv – hadn’t we better give it a drink of water?’

  Skelgill regards the handsome animal like he is noticing it for the first time. He tilts his head to ascertain its gender.

  ‘Has he got a name?’

  DS Jones bends easily at the waist and then rather gingerly she feels beneath the creature’s chin and rotates its collar. She chuckles for a second time.

  ‘It says “Morse”, Guv.’

  Skelgill raises an eyebrow. He straddles the cornucopia of camping gear that spills from his toppled ex-army rucksack. He rummages and extracts a clear plastic bottle, but it is empty. He jerks his Kelly kettle from its base; it sloshes encouragingly. He casts about for a suitable receptacle, but in vain – and so squats beside the dog and pours from the spout into a cupped palm, as is his custom for his own dog. The terrier seems to bear no hard feelings, and is quick on the uptake.

  ‘What kind is he, Guv?’

  ‘A Lakeland – they’re bred to follow the hunt – tough little devils, run all day long.’

  Skelgill scowls at the Bullboxer; her obvious talents lie in other directions.

  ‘Could that be why he was digging, Guv – maybe thought it was a dead fox?’

  Skelgill screws up his features, recalling the hot sharp reek of decay.

  ‘It were foily, alright – happen if you’re a dog it must be like Friday night passing the chippy – irresistible.’

  DS Jones makes a face of qualified disapproval.

  ‘There was long hair, Guv – think it’s a female?’

  ‘Aye, I shouldn’t be surprised. They usually are, eh?’

  He gazes up as though he expects her to recite a ready statistic that bears out this supposition; his expression hints at concern, and some regret that this inequality should prevail. They both know, however, that any speculation at this moment is futile – until big questions like cause and time of death are answered by forensic analysis.

  DS Jones nods pensively. She watches in silence as Skelgill performs the improbable trick of feeding all the gear back into the rucksack. But as they begin to pick their way diagonally down and across the fellside clearing, questions probe at her consciousness, and she speaks her thoughts.

  ‘If someone has hidden the body – it’s a long way from the gate. The lake would be nearer.’

  Skelgill clicks his fingers to make sure his dog, unleashed, falls in behind them. He turns his head to consider Derwentwater. The schools have not yet broken up for summer; most trippers are silver surfers – not literally, of course, but those affluent empty-nesters and still-fit retired folks for whom the Lake District’s combination of stunning natural beauty and network of cosy inns and coffee shops makes it a child-free magnet during term times. As such there are not so many rowboats on the water, and no flailing oars or joyful shrieks and splashes, but Skelgill counts four packed pleasure cruisers plying their trade, sedately circling the lake, both clockwise and anticlockwise, a hop-on hop-off service that calls at seven jetties, the nearest half a mile hence, at Brandelhow. Not that he has in mind this mode of transport; indeed he inserts a caveat into DS Jones’s hypothesis.

  ‘Aye – but you’re talking a good three-hundred-foot height gain from the shore. There’s a six-foot wall, and no easy footpath.’

  DS Jones has thought of this.

  ‘What if it were two people, Guv?’

  ‘What if she walked there herself, Jones?’

  She grins; they have come full circle. Patience is called for.

  ‘How about Morse, Guv?’

  ‘I’ll take him round later – once the medic’s finished with his owner.’ He glances somewhat sheepishly at his colleague. ‘I know the woman.’

  *

  Marvin Morgan puts down his binoculars. The young couple and their dogs have disappeared from sight – rather oddly, he thinks, for there is no path that way, albeit they are heading in the right direction for the dead-end of the track where a handful of cars can be squeezed onto the verge. He has seen the man before – must be late thirties, rough looking, hard-faced, could almost be a gypsy with that fighting dog – it’s probably a pit bull.

  His girlfriend was a good bit younger. Attractive – nice face and a slim figure – and curvy, you don’t often see that. Marvin’s pulse had risen. He’d been reclining in his usual spot when they first came into the clearing two hours ago. The man had spread out a rug, and they’d cooked sausages – the smell had made his mouth water but he’d already eaten his own sandwiches. Then they lay down – but there was bracken and gorse between them and his ‘hide’ under the conifers and he caught only the occasional glimpse of a bobbing head. He’d thought about creeping around the edge of the clearing for a better angle. But that would have meant leaving his own dog tied up – and he might bark and give the game away.

  Anyway – then the screaming had started and the man had dashed off, followed by the girl. He’d considered a casual inspection of their picnic spot – until he realised the pit bull might be lurking. He’d had to be patient – it was the best part of an hour before they returned – in fact he’d probably nodded off when he heard their voices. They’d straight away begun to pack up – he got a better view of the girl, and a photo of her bending over in her tight jeans. He’d wondered if the cries for help had interrupted them having sex – it was a good twenty seconds before the man had risen, and didn’t he hitch up his trousers? But they weren’t exactly intimate when they got back. Maybe they’re married? And the girl had another dog on a rope – that must have been something to do with the screaming. What was that all about?

  Marvin Morgan’s bristly monobrow is creased at the centre – an unconscious contortion that only appears when he is significantly troubled. Broodingly, he packs away his own gear – sit-mat, thermos flask and lunchbox, notebook and pencil, camera, binoculars, paperback novel – and unhooks his dog’s lead from the little branch cut off for the purpose. He
begins to trudge upwards into the pinewoods, the opposite way from the young couple. Then he stops in his tracks and listens – there is a distant siren. The crease deepens.

  2. JUNE COLLINS

  ‘Sorry – I haven’t yelled like that since I was a little girl – I didn’t know I still had it in me.’

  Skelgill reaches to clap the Lakeland Terrier, which seems disinclined to leave his side. Then he leans his elbows upon the kitchen table and watches the woman. She has her back to him as she disposes of teabags at the sink. The belt of her pink towelling dressing gown is tied tight about her waist, revealing a trim if thin figure, and drawing the short hem perhaps higher than she realises. Her black hair, still damp and slick and brushed straight between her shoulder blades, looks longer than before. Ordinarily he would have offered to come back at a more suitable time – but the woman stepped aside and the dog virtually pulled him through the front door. Now she turns and sets down two china mugs and takes the seat closest to him.

  ‘Happen it did the trick. Sorry about the slap.’

  She lifts a palm to her cheek – as if only now she remembers what took place. Her nails are carefully manicured, quite long – possibly artificial – and varnished in a deep ochre. And though he must have interrupted her bath or shower, he does not recall the mascara or lipstick from their encounter in the woods. There is something Mediterranean in her appearance, with full brows and a nose that is a shade too large for the surrounding proportions of her face; her eyes, however, are pools of sparkling kingfisher blue, they seem illuminated amidst her tanned complexion. She fixes them upon him; then she folds her hands reverently upon her lap and her expression is one of wide-eyed admiration. Her voice is silky, and her accent a curious amalgam of north west England and the mid-Atlantic.